Monday, 27 January 2014

Mr and Mrs Moon 23.1.2014 uni trip to Theatr Clwyd





What an experience this was for kids young and old! The journey began by us all following along the boardwalk to the beach. This was accompanied by performers singing and a violinist. Each child was also given a red bucket and spade to participate with. 



On arrival, the children  were magically transformed into another world and this was enhanced by a visual of the beach and sound effects of the sea. They were then asked to take their shoes and socks off and sit on the side of the ring which was filled with sand. We were all introduced to Mr Moon who then sat  making his own sandcastles on the beach and encouraged the children to interact by being shown in song how to make them..




At first many of us hadn't been aware of Mrs Moon who was suspended up high in what was later described as a cocoon.There was a sense of great awe from the audience as she descended down from the moon singing in order to interact with the children below. It was later decided that the children could go for tea on the moon and this transition was made by climbing an imaginary ladder that had been drawn in the sand .The audience was able to see as well as the children what was being drawn in the sand, by a camera being placed directly above and the image was then transferred to be  shown on the circular screen that looked like a port hole.



Theatre Clwyd, Mold 



I was disappointed  to have had a bucket and spade in front of me, as well a massive sandpit and not being able to have made at least one sandcastle. It wasn't from the want of trying! Apart from this I really enjoyed the whole experience and it was time to return to the adult world.



The cast taking time to talk to us 






















Two of the performers in costume on set 



The decking we all had to follow to the seaside in the play 


The studio where the play was shown



The area where the musician played and sound effects were made


Costumes belonging to the robots


The hat belonging to Mr Moon 






image above of the cast and students,taken by Dave Jones



"Since 1981 Oily Cart has been taking its unique blend of theatre to children and young people in schools and venues across the UK. Challenging accepted definitions of theatre and audience, they create innovative, multi-sensory and highly interactive productions for the very young and for young people with profound and multiple learning disabilities."




These moon robots were so funny

Other images used of the show are taken from the link below



Jenny Holland

http://jennyholland.artweb.com/

http://www.artweb.com/artwork/search/artist/20242_Jenny%20Holland/2

The images below are two of many of my favorites  that were on displayed in the exhibition.


All Copyright belongs to the artist. 



Polperro Cornwall



Cottages 


On the way to Emlyn Williams Theatre both  walls of the corridor were displaying Jenny's work. At first and with just a brief glance, they reminded me of some of David Hockney's work on his iPad. This was due to the fact that some of the images had soft pinks and similar tones.

After the play was finished I went back to have a closer look at Jenny's exhibition .I couldn't help but find myself studying each image to see what media was used. I had liked the way that on some images there was a black outline that defined subjects and I felt that this technique made them stand out more. Half way through my viewing I had noticed a leaflet accompanying the exhibitions that explained exactly what medias were used and the name of each piece of work. Many that I had liked were mixed media and pastels. 
   

Thursday, 16 January 2014

Hermon "Light and Dark" 26.9.13


Myself and Andrew Argyle were approached by artist Diana Baur, to document this event. The photo below is the frontage of Hermon Chapel at Oswestry, which is a Grade 2 listed building. The inside of this building was amazing to see. It was like stepping back in time, with it's balcony, its particular smells and atmosphere. Even the upstairs pews were what is called "box pews" with their own doorways. I felt quite privileged to be asked to photograph inside this building.


The above photo shows what the building looked like on the evening of the event.


The above images are of a particular artwork that I found interesting. This was situated at the entrance to the venue.

see website: www.jasdavidson.co.uk

"I first saw the work of Jas Davidson around 2006, when I visited The Mill Studio at Queen's Head Oswestry to see see the Borderland Visual Arts group show. There were a few pieces of Jas's work on display, but much more interestingly there were more works of his in a back room that I was privileged to be able to see.
I remember the heads, referencing the futility of the deaths of young men in war, and was transfixed. I was currently taking the Btec in Fine Art at North Shropshire College, and had not even considered going on to take a B.A. Yet at Glyndwr University art department, known as North East Wales School of Art and Design (NEWI)

I later saw some of his other works, the Orc series a year after obtaining my Fine Art Degree in 2010, and after seeing a programme on the history of the fig leaf, I felt moved to comment on how I saw Jas's work fit in to our current thinking". by Diana Baur.




Above is a photo of Diana at work putting the finishing touches to her installation.


"Because my current M.A. Practice had taken me to a new arena exploring 3D paintings in the form of fabric pebbles - metaphors for mundane and unwanted thoughts that we carry around with us - and my research into the possible origins and meanings of abstract art in the works of early man, this opportunity was just what I needed. We needed meaningful projections, and so the idea of using photographs of Jas's heads in combination with the thoughts, started the ball rolling." By Diana 








Many of these images feature the work of Diana Baur, together with the work of Jas Davidson. Diana's work, in the form of 3D installation are in front of Jas's work that had been projected onto the background against the walls.











I liked the way that the collaboration of each artists work complimented each other and created a beautiful visual experience, enhanced by the lights and the smoke effects.













The light projections were created by Freja Swogger pictured below



















Den Hardy above, played for the flamenco dancer but also played solo music.

www.denhardy.com



Other artists :


Music


Members of Pram
 http://www.bbc.co.uk/music/artists/eb87c32c-d604-4be5-a70c-92c2c78be9d0
Barry Edwards 
www.bazmatronics.blogspot.co.uk


DJ
Laurie
 (Lozt on www.mixcloud.com)

Story telling

Helen East
 www.eastorywilsound.co.uk




Liverpool Exhibition visits for M.A course 11.12.2013 (Pt 1)




I didn't really know what to expect in this exhibition and on arrival was quite surprised when I had discovered that I was to revisit familiar areas of the Gallery. The first room I visited is my favourite permanent exhibition. I like the craftsmanship and detail in the carving of the sculptures.


Sculpture Gallery 


Image taken from a larger piece called
 "The Sisters"





The sculpture above is titled 
"Love cherishing the soul,while preparing to torment it"



Titled " Secret Love" 

With this sculpture I like the way that cloth can be seen as transparent over the face 





"Puck"

When I visit  the Walker Art gallery, I always go to view the statue of Puck. I studied it in more detail as part of my B A course. When among these sculptures I strangely have the urge to gently touch the stone on some to feel the coldness of the stone.I like to study the "Puck " statue pictured above and below,  because the texture on the stone can, to me  in places almost  feel like it has a surface of dry skin.






"Bust of Peggy"

I found this sculpture very elegant and wonder was Peggy was as beautiful in the flesh?





"Highland Mary"



"Menander and Posidippus"

It was the light on these that drew my attention to the figures



"Danaid"


"Eve"


"Psalter"



"St Jerome Reading in a Cave"


The image above was very different in the respect of it being hung on the wall as a 3D image.  I had not seen a piece of sculpture hung on a wall as if it was a painting before. The craftsmanship in the detail of what looked like small figures, is what then attracted my attention. They appear to be like the Oriental carved figures that are usually carved out of ivory. 

17th Century Room 






"Athlete Struggling with a python"

The sculpture above had great detail especially in the muscle definition. 



"Peacock"


18th Century Room






Medieval and Renaissance room 



"Bearded man in Armour"





" Coronation of the crowning of the Virgin with angels playing musical instruments"

The use of primary blue and the gold highlighting is similar to the brightness achieved in stained glass church windows - another favourite of mine. 






OPEN EYE GALLERY 

Alvin Baltrop and Gordon Matta-Clark:The Piers From Here

Please note this exhibition did not allow any photography so the images below are taken from various websites.


The image above shows Gordon Matta-Clark in what was better known as "Pier 52".


A hole was made in the side of the building and floor as an installation performance called "Days End" in order to capture different effects of the light during the passage of time during the sun's rotation.






Alvin Baltrop






Many of these images were taken in the 1970s and 80s. They are of the gay community who used the area as a "cruising" area on the  abandon pier  in New York.The "invisible" population would also include  drug - dealers, smugglers and prostitutes. Despite this, the piers also attracted many artists such as musicians,film makers and photographers. 



The link below shows a brief talk on the Exhibition