Friday, 17 February 2012

Influence boards ( Uni work )

    True stories I have read

Child abuse is no longer that taboo topic which stays swept under the carpet. So many people have had the strength and courage to let others read about their life experiences. I read these books for many reasons and I found that no matter what had happened to these individuals, the strength of their human spirit never ceased to amaze me. Many had gone through the worst kinds of abuse imaginable and they still managed to come through the other side and rebuild their lives. Some achieved this with no help or support. How parents and care givers could even contemplate treating children in such degrading ways makes you revaluate the world we live in and what power others have over you in times of vulnerability. I think these book covers portray the stories inside them very well. They are designed to tug at your heartstrings in a subtle way and they draw you into the book. In particular I think that “Please Daddy no” shows you a child’s isolation and “Wasted” shows his pain and hurt, which makes me think that he should not have such a weight of the world on his shoulders at such a young age. The word “Cut” is designed to shock especially on a cover with a young girl’s image. “The Last Time I Wore a Dress” is a little different to the rest as it tackles the issue of Gender Identity Disorder. The cover reminds me of Munch’s painting of “The Scream”.








 Images in the present that will soon become the past

As a photographer I like to view the world around me. In doing this I try to capture change in many areas that I think maybe if not captured will be gone forever in this constant changing world. Sometimes we only have memories as images to remind us of what once was and I like to take images and capture life as it changes. Buildings go up and down so fast nowadays and technology changes in a blink of an eye. The classic example is the one of the red phone boxes (a typical British landscape feature at one time) and I like this photo in particular because it gives a feeling of nostalgia and has the aura of “time standing still”, likewise the photos of the mangle and the machinery. The photo of the chimneys appeals because so many houses now don’t even have coal fires that necessitate a chimney. What a pity because I have taken photos of so many different chimney styles dating back to Victorian times and possibly earlier. Jacques Garage is no longer there and his scrapyard is about to be built on! Headscarves are apparently becoming fashionable again but to me this photo illustrates a dwindling older generation image.







                                             Street photography


To me street photography is and can mean so much more! It’s the “here and now moments” frozen in time; candid moments captured; styles and images that reflect the fashions and also images of changing generations. However you describe it it’s about life and moments in life. I like the difference in people’s actions; they are more natural when people don’t know that they are being photographed. However there is a fine line between capturing images and invading people’s privacy. As long it is done tastefully then many great moments of life can be captured spontaneously. I think the top left photo is inspired by Henri Cartier-Bresson but it has a modern twist to it, the Bresson original being an image taken in 1932. In the bottom two rows of photos I think the interest for me is the fact that they capture an older generation’s way of living. I think that the images being in black and white accentuates this even more. In the second row down, the photos are candid shots, showing the spontaneity of the moment.






                                                             Landscapes


Views of the Welsh landscape, I find, are a photographers dream. The hills and mountains are a fantastic opportunity to portray a sense of escapism, serenity and picturesque beauty. They also make you realise how much bigger the world is when you’re away from life’s hum-drum and far from the confines of the town or city.  Taking photos of landscapes makes me feel so free and able to breathe easier with all the space around me. I had never seen a poppy field like this one before and I felt like it was a great gift from nature. How lucky was I to spot the fog in the valley at Llangollen and have my camera with me? I felt that this was an experience so special to me and we watched the fog rise in the distance and submerge the hills. I am very fond of the Llangollen area and feel inner peace there and I try to capture this in my photos. The bottom middle photo taken from the top of Bersham Coal Bank is of a particular haven for me and I like to read the mountains and see the landscape all around. This is also a particularly good spot to observe the changing seasons.






                                                          Mixed Art Media


Art is a small umbrella for so many categories, from being able to appreciate craftsmanship in sculpture and church windows to the tasteful images of beauty in the female body form. Beauty can be artistic without it becoming a pornographic image. Harriet Hosmer’s Puck (Walker Gallery, Liverpool), Burne-Jones’s window in Hawarden church are two examples that I have seen in the flesh so to speak! Pablo Picasso’s influence can be seen in the cubist paintings by Welsh artist Andrew Southall. This particular image of Andrew’s influenced me when creating my own artwork about Llangollen – which I called “A window into Llangollen”. After this I was commissioned to produce a piece of artwork that would be similar in style but was of Mold town!  I like artwork that can be used by tattoo artists which is why I have included the Fallen Angel tattoo design. The photo of the shafts of light in Grand Central Station, New York inspires me to be continually searching for the right opportunity to recreate this effect in one of my own images. We cannot help but be driven consciously or unconsciously by images of what we can or have seen of other people’s works. Everyone has their own definition of what art and beauty is to them.






 Films

Some of the films illustrated here are true and others are fiction. When viewed they are intended to have a lasting impact on us. The characters in the films portray many emotions such as pain, senselessness, the influence that others can have on some peoples’ lives, human kindness, the consequences of actions, and the wrong decisions that have had an impact on others. The benefits and draw backs of love. Sometimes it’s not until we watch such films do we come in touch with our own feelings and we also see how we can change things in our own lives to be of benefit to others and ourselves.  It is important for these front covers/posters to have imagery that reflects the cast, story and also colours to go with the mood of the film. The type used can be important when attracting the audience and I think that in particular the illustration for “Pay it Forward” has a family appeal. It looks uplifting! “Boys Don’t Cry” uses the illusion of the face being transparent to enable us to see the background as well as the face of the main character. To me the road reflects the journey that the character makes throughout the film and the use of a limited colour range empowers the whole image. In “Sleepers” the colour is dramatic, moody and dark which hints at the sense of the story. To me the image of the film cover portrays a sense of something to do with the Mafia.  The use of red in the bottom left DVD cover is designed to give a sense of violence, red as in anger! The strip to the right which contains the title, to me is a logical position for it to be to fill a space and the torn edge looks better visually as opposed to a neat white border which I think would mess up the typography. The other images all reflect the stories they portray but are not necessarily my favourite covers although in their own way they do all give a hint to the content.






Summary

I have found that I draw many of my own influences from other peoples’ lives and through what I see, read and watch. It can be a real eye opener to even comprehend, how much positive energy and strength can be passed on to another human being without them realising it most of the time! I found these images to be a good illustration for the literature and film content. “What you see is what you get” kind of feeling.
The street photography inspiration board brings into my life contact to others from a distance as an observer of people. Being a people watcher, I find comedy and pathos in these images and they echo my interest in capturing images that display differing generations, their fashions and almost their lack of change to “move with the times”! I even wonder if the photos of the older women on the bench would look as good if it was a colour photo.
One of the two boards, that are photos of my own which I have captured, is really about images that I feel might become things of the past. I feel a connection and sense of loss in observing things familiar to me in the changing landscape. I have memories linked to most of the images and I don’t like the idea that they might disappear from the environment eventually. The second board of landscapes are all local. They make me feel peaceful and I like the sense of timelessness that the majority of them have. Bersham Colliery Coal Bank might not be part of the landscape for ever but I will always have my photos of the view to remind me.
The mixed art board links my interest in sculpture, stained glass and images that are vaguely “spiritual”. The use of colour is as important as shape or form in these examples, some of which are my own photos. The composition of the stylised photos makes them very dramatic.
Overall I am very pleased with the six boards and hope that they give an insight into my personal inspirations.

Thursday, 16 February 2012

Bersham Mining Banner





Approximately June last year, I was asked to meet Margaret NWMAT secretary, Martin an ex committee member who was with his cousin and Karen (who is now at Wrexham Museum but who used to work at Marches Cymru) at Bersham Heritage Centre. This is where there are exhibitions on coal and local iron industries. It also tells the story of "Iron- Mad" John Wilkinson. The center used to be a school many years ago and this is where my mother used to attend.
   This meeting was to be a proud day for me as NWMAT was given permission by Wrexham museum and archives,  to photograph the Bersham Mining Banner. To my knowledge this  hadn't been out of it's box since the miners strike. I had been asked to do this honour- it was what I called "The Holy Grail of Mining". Tables had been set up in a large room for the even and the next job was to get the box it was stored in from one of the tall shelves. This was done by Martin and his cousin - a delicate procedure as not to drop the box. We all watched with bated breath, giving advice as to where we saw we could help. It  was then carried to where the tables were set up and there was some discussion as to which way was going to be the best position for me to photograph the banner.
   We were then asked to wear gloves as to not contaminate and spoil it and luckily it had been placed in plastic covering. This had helped to keep much of the colour enriched although small parts had
cracked a little on the picture of Bersham colliery and stickers had been placed previously on the plastic in some areas. The condition was excellent  and we all stood there in great awe, delighted by this opportunity we had been given.  The magical moment began to change and create a panic shake in my stomach as the reality of the situation became more apparent. I was here to photograph the banner and the lights began to rebound off the plastic cover and visibility of the image below was not so clear. I then asked for a ladder as it was impossible for me to get a great view of all the detail and scale viewing it at such a low flat view.
This was great as Margaret became my personal assistant by holding the ladder and different lenses for  my camera . I had taken many different views as I wasn't sure if I was going to be able to get the image in one full shot. My initial idea was to make it up as a "joiner" effect to get it all together into one large image. Luckily I did manage to get it as one image and was pleased with the outcome. Recently there was talk that in the pipeline this may become a postcard to sell, which would be an accomplishment for me.



For info on

North Wales Miners Trust
( NWMAT )

Monday, 13 February 2012

Percussive rhythm ( film I made )

Percussive Rhythm 


For this brief we were to capture live action images that were not of any musical instruments. This was then to be made into a visual soundtrack. This also had to be commercially based with our subject matter and be used in such a way as to be able to convey a message to a particular audience.
 

There were many ideas which I came up with, but found that many had to be ruled out due to restrictions in having to get permission.


The eventual shots I used in the sound track were of gadgets and gizmos and I was going to call it "Appliances" but realised I had used a mixture of items. Having filmed what I wanted the next process was to cut each shot down into a few seconds of visual images. Then I had to make the screen smaller so that they could all be seen flashing in and out when being used together with my sound track. The space we had to use visually was to be 3 lines of 3 which in total made 9 boxes and this also enabled us to be able to view images appearing and disappearing in different places on the screen.

Mmm! Easier to visualise than to describe!


Some of the images and sounds overlapped and I enhanced the sound so that the resulting "tune" was more flowing. With time and patience this was acomplished and the final piece doesn't by any means sound like a piece by Beethoven! I expect the great composer himself would have found this brief a little different to what he was use to. 

Despite everything I enjoyed the process of creating something new and different and I would like to come back to this some time for another try.














Time lapse ( short film I made )




Time Lapse Film

I have always been fascinated by Time Lapse as initially I first saw them on wildlife programs and was taken in by what I saw as “magic”.
I hadn’t realised that they were also made by many photographic images then being made into a film. I was drawn to this project because I have wanted to be able to make a short film with this outcome for so long. I had also been astounded by short films that I had seen, especially those with cars moving fast and their lights creating the streaming effect. Whatever I was going to create I knew for sure that I wanted to incorporate a construction of my own into it.
I thought of many things that I had seen done before but I wanted to have a theme running through my own piece. This was going to be “Transport”, with a small hint of “Where there is chaos, somewhere else there is calm”. I don’t think I was able to portray some aspects that I wanted well.
It can also make you think how much we rely on varying means of transport as a method of getting around!
In the short film, I tried to make it look like it was travel over a day but I’m not too sure if the viewer would notice that. For a first attempt I am pleased with the outcome and I feel that I managed to find the right piece of music to go with the fast pace. There are some pieces of the film that I have deliberately timed to go with the music.  Previously I felt that the end of the short film was lacking an ending, now with what I have placed in as an ending it now feels complete.
I have made the collage with image stills taken from the film itself, to show examples of what footage I have shot. A mind map is also included of the idea process I used. The short film does in some areas look a little pixelated and this is due to the camera that it was filmed on and its limitations on quality outcome. 
























Empathy (short film I made )








Empathy

I prepared mind maps for ideas for this short film. Industry and preserving it for future generations is much in the forefront with the trust that I am a member of. There were many villages born out of such large and small industries. In this modern world many are simply being pulled down and the land built upon. The history is then buried either on the internet or in books. It is important to record many of the stories from the generations that worked there for generations to come - it then becomes more real to hear than any book can portray. I am however not oblivious to the fact that money is behind preservation of many buildings. This then becomes another issue and topic to be spoken about.
Through film I wanted to take the viewer on a nostalgic journey, for them to try and remember their memories and stories. I wanted to show a before and after to make them think how rapidly the world around is changing. I also wanted to make them think if in the name of progress things are changed and do we benefit from them? A few years ago and still today there is great debate if the new Eagles Meadows Shopping area in Wrexham town centre was progress for the town. This was due to the fact that many shops did move and the main town became ghostly. Generations of loyal customers didn’t have health enough to walk as far to the shops which became out of town for them. That was why I made the last visuals of the film a more up to date, to compare them to the” here and now” problems that we face all in the name of progress.
I wanted to incorporate a title as a beginning and have an end that leaves you thinking. I made small post cards of each area that was covered in the short film. I also included a “How it is today” picture. All images were taken from various sites off the Internet to portray Empathy.
    














                           










Documentary - North Clwyd Animal Rescue




Sorry for the delay


This is the Documentary we made at uni for NCAR.



                                         



PLEASE NOTE


It was brought to my attention that that the above documentry cuts off at 6mins the initial length is 13 mins.

I dont know why - but if you click on the link below it will take you to the full version on YOUTUBE.

http://www.youtube.com/watch?v=vBOfmz6QieY


If you would like to browse NCAR website please click on link below, to find out more.


http://www.ncar.org.uk/












Friday, 10 February 2012

NCAR North Clwyd Animal Rescue


Documentary

This was a great opportunity to be a fly on the wall, so to speak! To be able to see the working cogs behind whatever topic was chosen. The 4 members of the team had a discussion about what we could document. We didn’t want to be held back by the red tape of conditions such as Health and Safety and a long line of people to go through to get permission. It was also important not to be a one sided documentary with us all having preconceived ideas.
One of the team members came up with the brilliant idea of filming in an animal rescue centre that they used to volunteer in. We then asked them if they would be willing, as they knew staff members, to see if it would be possible to set up.
We all wanted to do the documentary justice so it could be possible for them to use it as a promotional video for the centre. The day arrived and we were warmly helped by all the staff. They were all willing to help in any way they could and divulged any information that we wanted. The atmosphere was so friendly it felt like we had known them for longer than a day. It was clear to see and feel that all who worked and volunteered were very passionate about what they were doing. All areas of the centre were open to us - some that wasn’t to the public and  I felt very privileged and taken aback by their hospitality.
The centre had dogs, rabbits, cats and stray dogs. It also doubled as a boarding kennels for people to leave their pets if they were going away. Many people were interviewed for the documentary such as staff, volunteers and visitors to the centre. Filler shots were included and voice- overs on the film. It was a great experience and an excellent opportunity to have as a learning curve.  
   





                                                                Entrance to NCAR







14 week old kitten






Monty





Tia





This lady's story was that she was  handed in to one of NCAR charity shops







Bertie








Volunteer Jay Elliot








Harvey









Floyd








Greg














Other residents at NCAR








Pass the Pasta ( 2 of 4 )





 
Pasta- some with garlic bread
When pasta is mentioned I can’t help but get images of Italy. Warm sun light and colours of red and yellow mixed in with a little romance. I wanted to try and capture a scene with a mixture of the above.
I firstly experimented with just focusing on the pasta and the colours in low light to create the mood. I initially liked these but felt it lacked something else visually to enhance it. This was when I toyed with the idea of using garlic bread! Some ideas I find I can see better as ideas in my head rather than on paper.
I tried to photograph this in many ways but found that I couldn’t capture exactly what I wanted. The focus seemed to always be on the garlic bread and this took away the eye from the pasta. For a different approach I then placed the pasta in a bowl, which seemed a little out of the box but still lacked that satisfaction I wanted to feel. I used Photoshop to try to enhance the photo to get that feeling but not 100% effectively to my mind.
Simplicity was my next step so that’s when I came up with the Idea of using the fork with just one piece of pasta on it. I again enlisted the help of Photoshop to straighten the fork and whiten the background more. I did get the hint of more satisfaction then, but not completely so I went on to try something completely different. The images are placed in a collage to show the different techniques I used and also it is easier to compare the images in this form and analyse what works and what doesn’t.



 




1st photo shoot



Pasta salad

Still using the thought process which I applied to the previous, I turned my attention to salad. I cut the cherry tomatoes into crowns to enhance the visual look of the photo. If they were cut in a traditional way then I felt that I would be back in the bland area again. Non-traditional lettuce was also used to ad that Italian feel to the image. I felt the colours worked well together. A yellow pepper was subtly introduced to the garnish; again I tried placing it in different positions on the lettuce. I also purposely bought a black plate for enhancement as I felt that if it was on a white plate it wouldn’t give the same feel.
I played with light and angles, taking with me what I had learnt from the previous shoot. Although the garnish does play a better part I didn’t want the whole focus to be taken away from the pasta. Through trial and error I came up with many images that this time around I felt satisfied with. The collage is laid out some with white borders and some without to enhance a satisfactory visual of my work. I felt that if they all had or hadn’t had a border then they would just become one large jumble and quickly looked over. Whereas presented like they are then they have a certain balance to the structure and become much easier on the eye.

 



2nd photo shoot

 

I looked through the vast amount of images that I had produced and finally managed to narrow them down to 5 photos. During the process of eliminating images I find that I have to scrutinize every aspect, such as light, focus and composition.
When I get down to very few photos, the process of evaluation I find even harder! I then try to incorporate the feeling of which image feels right to me and which is communicating to others exactly what I want.  By looking at the final 5 it became apparent that there was only one image that I had liked from the 1st photo shoot.



 



I chose this photo because I liked the lighting, and the focus on this image I feel is the best. Everything seemed more in proportion for me, nothing seemed to be distracting. Although in the beginning I wasn’t completely taken with the yellow pepper in the bottom left corner. The more I analysed the photo the more I could see that it adds an extra layer that seems to compensate for the opposite bottom corner on the right being black and a little empty. The Italian theme I think shows through and the colours work well together in the light, hence the romantic mood setting.   


 


The chosen one